Originally Written 12/12/15
I
feel like Dark City's concept would
have worked better as a novel. The idea of aliens manipulating a city trapped
in space and constantly rewriting the memories of the inhabitants is too wordy
and exposition-heavy to work well as a movie. Nevertheless, the visuals of the
movie are excellent. Alex Proyas also directed The Crow, and brings with him his heavily stylized visuals. He
decided to stop aping Tim Burton this time, and instead went for a
retro-futuristic 1940's film noir look. There lots of striking greens and blues
throughout, and they look fantastic. Unfortunately Proyas could not completely
shake off his goth phase, and as such the alien villains look like wannabe
vampire goth kids in fedoras and Cenobite clothes. There is also one alien who
is a child, and this is supposed to be creepy, but it is more comical than
anything.
The
editing in this movie is an eyesore. Proyas must have developed ADD in the
editing room, because he cannot seem to hold onto a shot more than two seconds.
The constant cutting kills the potential suspense of several scenes, and leads
to some difficult to follow action scenes. I wish he would have held on to
shots longer to give the viewer time to absorb the film's striking visuals.
Keifer
Sutherland's character is extremely irritating. He plays an asthmatic scientist
who works for the aliens. He literally takes a deep breath between every
sentence. It reminds me of the wheelchair-bound kid Stevie from Malcolm in the Middle. The filmmakers
also decided to give most of the expository lines to Sutherland, making it very
difficult to keep up with the film's dense details in between his raspy
breaths.
The
ending was very disappointing. There's a psychic mind battle between the hero
and villain, which basically amounts to close-ups of the actors grimacing
intercut with things exploding, as if they were destroying things with their
minds. It is a really lame ending to a film that had had inventive visuals,
like the city restructuring scenes.
I
saw the theatrical cut of the film, which according to fans is apparently
inferior to the director's cut. I do not see how it could fix the problems I
had with the movie. That being said, there is still much to like about the
film. The visuals and production design are unique, and a big improvement over
the visuals in The Crow. And while I
think there was too much exposition, the story is still inventive and has
plenty of interesting ideas. Dark City
is flawed, but it is still worth watching if you are a big fan of science
fiction films.
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